Sunday, 20 May 2007
Thursday, 10 May 2007
precision cutting
Tuesday, 1 May 2007
cool gadgets
Whilst i was there a guy was cutting some clear plastic into 3 cog and wheel segments roughly 300mm x 50mm, all cut perfectly within 15Min's.
However the real beauty has to be the 3d plastic form making machine (can't remember real name, doh!!). This thing is truly wonderful simply give the computer a 3d software file and like magic before your eyes this machine produces the 3d object perfectly. A bit pricey but i want a shot of it none the less!!
Monday, 30 April 2007
ready made plinth
Some people might think to consider yourself the centre of the universe a little bit arrogant, however i believe it's impossible to truly know what life is like for other people, the best you can do is an educated guess. Don't get me wrong I'm not advocating that you act with disregard toward other peoples feelings or without consideration to your impact upon your surroundings.
However to truly engage with the world and somehow regurgitate these experiences back to the outside world in a visual or written format the artist can only really theoretically take themselves as the starting/central point from which all measurements are made.
centre of the universe
Friday, 27 April 2007
Thursday, 26 April 2007
more wentworth
Starting to understand why Paul and Shauna were so enthralled by my make shift wood carrying harness.
Wednesday, 25 April 2007
Richard Wentworth
Richard Wentworth has played a leading role in New British Sculpture since theend of the 70s. His work, encircling the notion of objects and their use as part of our day-to-day experiences, has altered the traditional definition of sculpture. By transforming and manipulating industrial and/or found objects into works of art, Wentworth subverts their original function and extends our understanding of them by breaking the conventional system of classification. These sculptural arrangements and assisted ready-mades play with the juxtaposition of objects that have nothing to do together as well as with a range of material whose use does not belong to art. The viewer also encounters the unexpected through the artist's photographs that reveal a spontaneous and surprising urban reality.
This post dadaist approach was also present in "Thinking Aloud", the touring exhibition curated by Richard Wentworth, which gathered together disparate uncanny items as well as works of art. Through the criss-crossing of a sort of everyday art, "Thinking Aloud" suggested a 'Cabinet de curiosites' but was also a criticism of western mass-production society.
text taken from the The Lisson Gallery website
Thursday, 19 April 2007
Monday, 16 April 2007
how do you get your materials to the studio?
This seemed to be quite a practical solution to my immediate problem of transporting the gathered wood and it is. However I hadn't really considered going on public transport with said apparatus!
I got on the bus quickly surveying the layout for the most suitable seat for both me and my wood. No seat space seemed adequate so i decided upon that bit at the front of buses for shopping bags, got some funny looks from the old ladies on the bus.
However not half as strange as the looks i got both standing in my local town centre waiting for the Glasgow bus and walking from Buchanan bus station up to the GSA!
Saturday, 14 April 2007
negotiated project
On days two and three i went out and collected some wood (branches, felled tree trunks) from kelvingrove and ground beside my folks home. My intention was to split hese vertically and play about with arrangement to try and spark some ideas in response to the material.
Paid Cliff a visit down at the workshops hoping to simply band saw some wood however the machine was out of order but not to worry Cliff had a couple of chainsaws hanging around!
Must admit couldn't wait to get my hands on the chainsaw but alas i must've picked the toughest wood in Scotland the chinsaw simply wasn't up to doing it vertically. Had to resort to cutting into traditional slices. Not really happy with this outcome but i'll try working with the wood as is, no point in simply scrapping it.